Showing posts with label worst moments. Show all posts
Showing posts with label worst moments. Show all posts

Wednesday, 22 August 2012

Welcome Wednesday: Siân Thom: Can music make or break a film?


Hey Guys,


Wednesday is the day I introduce a guest onto my blog and let them write me a post. They will be posting something about their area of knowledge and each week I will try and have a different area.

Sometimes I may post a response to what the guest has written.

This week I have Siân Thom guest staring on my blog.

Siân is my fifteen year old sister; she is going into the second year of her GCSEs. Afterwards she wants to go to college and focus mainly on acting and drama. Her ambition is to end up as a well-known actress.

This is her guest blog and underneath is my response:

There isn’t one film that I’ve watched that hasn’t had music in it, when films were first created as silent movies they weren’t really silent, yes there was no speaking but there was music and depending on the music you could tell the mood change in the film, even though the music had no lyrics or that it was just a pianist sat under the scene with a sheet of music that he had to play all the way through the film, the tempo and the pitch would change to notify the audience that the scene is meant to be funny or sad. In modern day films, there is speaking in the scenes but it still boils down to the music chosen by the producer, director, music producer or whoever puts the music in. A film would not be a film without music it would just be words and pointless actions with the audience not fully understanding what is going on in one scene to the next.

The right music makes you feel more for the characters, it makes you believe what the characters are saying, and even if the acting isn’t great you can still feel happy, sad, angry or excited by the right chose of music in that scene.

When I’m watching a film and a sad scene starts to play out, it’s not the acting or the words that make me cry really, it’s the music, the slow sad music that emphasises that it’s a sad scene and that is what sets me off crying. The other night I was watching Life as we Know it [(2010) Directed by Greg Berlanti and staring Katherine Heigl] and [slight spoiler] when the little girl calls holly mummy there are little chimes in the background, and I know that isn’t that much of music but just that little can make a scene, I think if the chimes weren’t in that scene I would of cried as much or realised the full extent of her calling holly mummy. I always listen to the music in films, if the music is right for the scene and connect with the film then it will make the audience feel like they are part of the film. But there are other cases where the music does not suit the scene what so ever and if it’s an important scene then the whole film is ruined in my opinion.

I watched a film a few years back with my brother and the music starting playing in the background and both Matt and I cringed because the music didn’t suit the scene or the film. So for the rest of the film we couldn’t get into the film or relate with the characters because, it was an important scene that explained what the whole film was about and it was ruined by a few minutes of music played quietly behind it.

Also sometimes in a film they can play the music too loud so you can’t hear what the characters are saying, this mostly happens more on the television in series or one-off shows. If a pilot is coming on T.V and you watch it and the music is too loud so you can’t hear what the characters are saying so you don’t know what is going on in the whole episode then it is unlikely that they are going to get a series because that pilot determines whether they get their series and if the public aren’t getting into because of the music then it won’t be back on our television screens for another 6 episodes.

So in conclusion if the music isn’t right for the scene the film is over. I mean don’t play an upbeat song if someone on the screen is crying and don’t play a slow sad song if someone has just received some really good news. The music has to flow with the words and actions of the film otherwise it’s doomed from the start.

My Response:

Well My response is going to contrast rather a lot in comparison to my sister’s views, but this happens quite a lot so I’m sure she will understand.

First of all, there is a guest post I wrote quite a while back discussing music and mood.

http://malikagandhi.wordpress.com/2012/07/16/a-film-director-in-the-making/

So my response to what Siân said.

Music and sound works in two different ways in film, there is diegetic and non-diegetic.

Diegetic: Music or sound that the character can hear. It is happening inside the scene and effects the character in a certain way

Non-Diegetic: Music or sound that is placed over the top, almost like a score. It tells us, as an audience, how to feel in that scene.

My argument is why, as an audience, should we be told how to feel? As my sister said it does add to the tension to a scene where the monster is about to jump out. It adds to the sadness of that part where the guy breaks the girl’s heart.

I agree with my sister when she says that some films and TV shows over-use non-diegetic sounds/music and it can cause the show/film to lose believability, the audience start to lose interest. Some films even get to the point where there is only non-diegetic music and too much action. The action therefore means nothing; the audience does not know how the characters feel.

My belief is there should be more diegetic music and sound so the audience know how the character feels which shows that when something bad happens to the character, they are affected more because they understand that character fully.

I’m not saying the use of non-diegetic music is wrong and it should not be used because I have seen some good films that use non-diegetic very cleverly and leave the audience in suspense a lot of the time, but my question is: could you do this with diegetic sound and music?

My final point is that music affects us, just as it does a character in a film and people who say music is not important have not had the experience of discovering what it can do for you. 

If you want to know more about Siân, then check out her Twitter: @Ginger_Thom

If you can think of any films where the music does complete the whole film let me know. Also if you can think of any films where there is not much music but the film is still brilliant then please comment. I really want to know all your opinions on this one.

If you have any comments or views on what has been discussed then please place them below. If you would like to appear on my Welcome Wednesday blog then let me know.

Stay safe,

Matt 


Monday, 30 July 2012

Mull-Over Monday: Do special effects and CGI, improve films, or make them worse?


Hey Guys,


Welcome to Mull Over Monday, This is the day where I pick something that people discuss and have different opinions about. These things will normally be to do with film or writing or something that obviously affects my life directly.

So something to think about and discuss this week is special effects and CGI. Do they improve films or make them worse? How much is too much?

I’m going to view my opinions and obviously, as normal, if you have other views on this topic then let me know underneath.

This may be a very one sided view on special effects and CGI because unfortunately I’m not really the biggest of fans, but I shall try and be as open minded as possible.

This subject has come about due to the fact that lately I’ve been watching a lot of comic-book films, such as The Amazing Spiderman, The Avengers Assemble and The Dark Knight Rises, (which I will be reviewing on Film Thursday blog.)

So first of all what do you class as special effects? Well truthful anything from a simple lighting effect all the way up to your big explosions and CGI creatures are known as special effects, SFX for short.

So in some ways without SFX a film would never work. There would be no light or sound SFX and it would just look extremely boring and unappealing. So SFX are needed to make, and improve a films quality.

The question is: How much SFX and CGI is too much? For me this is simple, when you start creating things that don’t look realistic at all and spoil the film; that is when you know you’ve gone too far. Take King Kong (2005) Directed by Peter Jackson. This remake of an old classic used so much CGI that there was not one shred of truth left by the end of the film, all relationships with characters were uninteresting and 187 minutes of pure CGI just was too much.

Looking through the archives over at TotalFilm.com I looked through what they rated the worst CGI film moments and why, so I thought I would give you a little taster, so you can see what might be a step too far with Computer Generating.

Here’s the link if you want to check out all of the list, or the scenes themselves:


20: CGI Sharks – Films such as Deep Blue Sea (1999) and Shark Attack 3: Megalodon (2002) have some of the worst CGI shark attacks I’ve probably watched. There is just no realistic sense to them at all.

17: The brawl in The Matrix Reloaded (2003). Total Film gives a note saying ‘The Golden Rule of CGI: Just because you can, doesn’t mean you should.’ This is an extremely good rule, and some directors do need to learn this one.

 12: The Scorpion King: The Mummy Returns (2001). When The Rock turns into a half scuttling Scorpion is one of the worst, most unbelievable things I’ve seen. This is when you lose faith in sequels and franchises.

9: The Lions and the Infected: I am Legend (2007). All the street clearing and lighting SFX in the world could not improve these hordes.

6: Troll Attack: Harry Potter and the Philosopher’s Stone (2001). Just watch a clip of the troll, not only do all the actors look really young in comparison to how they are now, but that troll is just unbelievably unrealistic.

1: Well we’ve mentioned this once before. I had a feeling that King Kong would be in this list. The whole medley of Giant Apes, Stampeding Dinosaurs and other over the top creations. Not only are the badly made, but badly dubbed also with the wrong Sound FX.

Now I’m not saying all CGI is bad, because sometimes there are some great moments created. What I’m saying is, sometimes the SFX teams might take things a little too far, get a little bit carried away and just decide that they will have a children’s drawn troll or way too many bomb explosions.

A film should not be about the action, the CGI and the SFX. It should be about the story and the relationships built between characters and audiences.

If you have any views on this, let me know and keep the discussion going.

Stay safe,

            Matt

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